WELCOME TO MARK VALLEN'S "ART FOR A CHANGE" WEBSITE
Biography

MARK VALLEN - A Short Biography

Born in Los Angeles California in 1953, Vallen has been creating images for as long as he can remember. By 1971, at the age of 17, he had already published cartoons in the Los Angeles Free Press newspaper. In the same year he published his first street poster, a pre-Watergate artwork titled, Evict Nixon! He studied art at the prestigious Otis Parsons Art Institute of Los Angeles, where he was influenced by the great African American social realist, Charles White. But despite his schooling the artist considers himself to be largely self taught.

He forged a style shaped not so much by how others painted, but what they painted. Vallen has a firm commitment to figurative realism, and he's derived inspiration from the rich heritage of artists working as social critics and documentarians. His influences range from Goya and Daumier, to the German Expressionists and Mexican Muralists.

Mark Vallen at his easel. Photo by Jeannine Thorpe
Mark Vallen at his easel. Photo by Jeannine Thorpe
Mark Vallen at his easel. Photo by Jeannine Thorpe
Mark Vallen at his easel. Photo by Jeannine Thorpe
Vallen at his easel, 2005.
Vallen at the J. Paul Getty  Vallen at the J. Paul Getty
Vallen at the J. Paul Getty museum's
John Heartfield exhibit, 2006.
(photo: Jeannine Thorpe).

Vallen has created illustrations for Slash Magazine, the L.A. Weekly, L.A. Reader, California Magazine, The Progressive, Mother Jones, and South End Press.

In January 2000, two of Vallen's prints were included in The Path of Restistance, an exhibition of political posters at the Museum of Modern Art (MOMA) in New York City. Vallen's poster work was included in the traveling exhibit, Just Another Poster? Chicano Graphic Arts in California, which was organized by the University Art Museum - University of California - Santa Barbara.

The artist's first solo exhibit held in Los Angeles during July - August 2004 at the A Shenere Velt Gallery. The showing was also a retrospective exhibition that encompassed 30 years of work.

Today Vallen focuses on easel painting, and he's a main proponent of social and figurative realism in art.He also writes for and maintains the popular web log, Art For A Change, where he discusses art theory and news related to the arts. Contact him by e-mail.

* Exhibits, Accomplishments, Accolades *

Fundamental: Traveling European exhibit. Group show with multiple venues.
Sept. 2007 - June 2008

Fundamental is an international touring art exhibition that explores the prickly subject of fundamental religious intolerance at the turn of the 21st century. My painting, A People Under Command, is included in the exhibit, which tours four European cities, Manchester, England - Madrid, Spain - Berlin, Germany - Leeds, England.

Angels & Demons: Blessed or Possessed
A Shenere Velt Gallery, West Los Angeles, California.
Nov. 2007 - Jan. 2008

The gallery asked me to jury their exhibit on the topic of spiritual good and evil. Co-jurors: Francisco Letelier, artist; Carol Wells, dir. Ctr. for Study of Political Graphics.

Dia de los Muertos
2nd City Council Art Gallery and Performance Space, Long Beach, California.
October - November 2007

The 2nd City Council Gallery asked me to jury their Day of the Dead exhibit.

30TH Anniversay DVD release of "Sid & Nancy" film
Interviewed for DVD bonus featurette - "For the Love of Punk"
October 2007

Appearance on DVD special feature accompanying "Sid & Nancy", Alex Cox's film about Sex Pistols' anti-hero Sid Vicious and his American girlfriend Nancy Spungen. The invitation to play a role in the feature documentary was based upon my participation as an artist in the early LA punk scene.

Religion, Politics and Society
Lake Arrowhead Gallery & Museum of Art, Sky Forest, California.
May - July 2007

I exhibited several paintings alongside artworks by John Paul Thornton, Dolores Guerrero-Torres, Paul Batou, and others in this group exhibit.

Utopia
A Shenere Velt Gallery, West Los Angeles, California.
Nov - Dec. 2006

I juried this group exhibit along with Mark Greenfield, Director of the Los Angeles Municipal Art Gallery, and Alice Wexler, author and biographer of Emma Goldman. The show's theme was "earthly dreams of paradise and possibility."

Spirit of the Children
Avenue 50 Studio. Highland Park, Los Angeles, California.
Oct - Nov, 2006

An unusual "Day of the Dead" group exhibit that paid homage to the children of the world who have died from preventable causes. My painting, War Child, was created specifically for this exhibit.

Chicano: Pronouncing Diversity
Center for the Arts, Eagle Rock California.
Sept - Nov. 2006
A group exhibit celebrating established and emerging Chicano artists. Curated by Gilbert "Magú" Luján.

At Work: The Art of California Labor
Pico House Gallery, Los Angeles, California.
June - Aug. 2006

At Work: The Art of California Labor was a group show that focused on the subject of California's rich labor history since the turn of the 20th century. Some of the fifty artists in the exhibit include Diego Rivera, Tina Modotti, Dorothea Lange, Ester Hernandez, Yolanda Lopez, and Malaquias Montoya. I unveiled a new oil painting created especially for this exhibit.

The New Normalcy
Carlotta's Passion Fine Art, Eagle Rock, California.
February - March, 2006

The New Normalcy was a group exhibit that examined the post 9-11 world. Others in the show included Robbie Conal, Margaret Garcia, Francisco Letelier, and Gilbert "Magú" Luján.

Something Newd
Avenue 50 Studio, Highland Park, California.
February - March, 2006

Curated by J. Michael Walker, the exhibit was dedicated to "thoughtful meditations on the human figure." I created a suite of mono-prints specifically for this group show.

Don't Talk About Religion or Politics
Group exhibit curated for Avenue 50 Studio, Highland Park, California.
Jan - Feb. 2006

I curated and exhibited in, Don't Talk About Religion or Politics, a group show for Avenue 50 Studio. The exhibit presented artworks with controversial spiritual and political themes. The show included artists John Paul Thornton, Poli Marichal, Gwyneth Leech, and Sergio Hernandez.

Both Sides of the Border
Carlotta's Passion Fine Art, Eagle Rock, California.
Nov - Dec. 2005

A major group exhibition of Latin American and Chicano art. The show included works by Francisco Zuniga, Jean Charlot, Wilfedo Lam, Gronk, Patssi Valdez, Margaret Garcia, Frank Romero, Gilbert "Magú" Luján, and Diane Gamboa.

Demise of Democracy?
Orange County Center for Contemporary Art (OCCCA) Long Beach, California.
Nov. 2005

A juried group show that presented works questioning the status of democracy in the US.

Conflict: Works on Paper
Juried group exhibit. Brand Library Art Galleries, Glendale, California.
Dec. 05 - Jan, 2006

Both of my submitted entries won awards for excellence, at the Thirty-Fourth Annual National Exhibition at the L.C. Brand Gallery in Glendale, California.

Workers of the World
A Shenere Velt Gallery, West Los Angeles, California.
Nov - Dec. 2005

I displayed several paintings at this group exhibition dedicated to the theme of workers - from their struggles to survive to their labors of love.

Emerging From Aztlán
dA Center for the Arts, Pomona California.
Oct - Nov, 2005

Third annual Chicano art show held at the dA Center for the Arts in Pomona, California.

Dia de los Muertos: The Journey Home
Mexican Fine Arts Center Museum, Chicago, Illinois.
Sept - Dec, 2005

The museum selected my painting, Dia de los Muertos, for inclusion in its annual Day of the Dead art exhibit.

Journal of American Studies of Turkey (JAST) #20, Fall 2004
The semiannual publication of the American Studies Association of Turkey, JAST publishes work in English by scholars of various nationalities on the subject of American art and culture. In his article, Southern California Artists Challenge America, Paul Von Blum referred to me as "A key figure in Southern Californian socially conscious art."

Elect This!
SPARC Gallery, Santa Monica, California.
Sept 11th. - Nov 2nd. 2004

Curated by Judy Baca, this group show focused on the issues of war, human rights, and the US elections.

YO! What Happened To Peace?
International Traveling Exhibit, multiple venues, 2004 to present.

An ongoing traveling exhibit of anti-war prints curated by artist, John Carr. The show has been displayed at multiple venues in L.A., Boston, New York, and Chicago, as well as openings in Tokyo, Japan, Milan, Italy, and several Scandinavian cities. Some of the artists in the exhibit included Eric Drooker, Poli Marichal, Seth Tobocman, and Winston Smith. My works were also published in the accompanying exhibition catalogue, "YO! What Happened To Peace?"

Mark Vallen: More Than A Witness
Solo exhibit. A Shenere Velt Gallery, West Los Angeles, California.
July - Aug, 2004

Retrospective exhibit encompassing thirty years of work. Respected author Paul Von Blum (The Critical Vision - A History of Social and Political Art in the US and Other Voices, Other Visions: Women Political Artists in Los Angeles), writes the exhibit catalog. The LA Times Magazine covers the show in their Aug. 22nd edition.

Wild In The Streets
Autry National Center/Museum of the American West, Los Angeles, California.
June 18th 2004

A one day special exhibit to coincide with the museum's "Wild in the Streets" punk rock summer concert. Some of my early punk rock artworks, including LA Weekly and Slash magazine cover illustrations, are displayed alongside drawings by Raymond Pettibon.

Peace Signs: The Anti-War Movement Illustrated
Gustavo Gili Publisher. Released Nov 2004

My drawing, Not Our Children, Not Their Children, was selected for publication in this collection of anti-war artworks compiled by Spain's leading graphic design and architectural publisher, Gustavo Gili.

Dissenting Views - Calendar
Released January 2004

Editors of the 49th Annual Calendar released by the War Resisters League selected my drawing, Not Our Children, Not Their Children, for publication. Also chosen as featured artist in the calendar against war and violence, were artists Sue Coe, Judy Chicago, Nancy Spero, Stephen Kroninger, and Milton Glaser.

War Stories
A Shenere Velt Gallery, West Los Angeles, California.
Nov. 2003 - Jan. 2004

Group exhibit of artworks that focused on the horror and folly of war. My entry, a pencil drawing titled We're making a killing in Central America, was awarded an honorable mention prize.

30 Years of Chicano Printmaking & Social Justice
Self Help Graphics & Art, East Los Angeles, California.

Oct. 2003 Group exhibit of artworks that focused on issues of social concern. I exhibited alongside artists Ricardo Duffy, Victor Ochoa, Yreina Cervantez, and others.

Light Among Shadows
18th Street Arts Center, Santa Monica, California.
July - Aug 2003

Group exhibit celebrating human rights activism throughout North and South America. I exhibited alongside artists, Judy Baca, J. Michael Walker, Francisco Letelier, and others.

Reaching To Embrace Arts
Inshallah Gallery, Los Angeles, California.
July 2003

Special exhibit and auction of artworks to raise monies for programs promoting youth arts education in the L.A. Unified School District. I exhibited alongside artists, Ricardo Duardo, John van Hamersveld, MearOne, Mick Haggerty, and others.

Ready for War
University Galleries of Illinois State University, Chicago, Illinois.
March 2003

I exhibited several works in this group exhibit that focused on anti-war statements. Nearly 100 artists from across the United States contributed pieces to the show.

The Art of Punk
Kantor Gallery, West Los Angeles, California.
February - March 2003

The premiere exhibit for the new Kantor Gallery in Los Angeles, this group exhibit presented my artworks from the heyday of L.A.'s punk rock scene. My original drawings and cover illustrations for SLASH magazine were exhibited alongside works by Raymond Pettibon, Shepard Fairey, Emek, and Dave Leamon.

The Antiwar Artshow: The Price of Intervention from Korea to Iraq
Track 16 Gallery. Bergamot Station Arts Center, Santa Monica, California.
Jan - Feb 2003

One of my silkscreen prints from the early 1980s was included in this exhibit of historic anti-war posters designed by professional and amateur artists alike.

Expressions Without Borders
El Pueblo Art Gallery, Olvera Street, Los Angeles, California.
July - Sept, 2002

I exhibited at this major Chicano art show at L.A.'s El Pueblo Historical Monument. Sponsored by the Mexican Cultural Institute and L.A. Council member Alex Padilla.

Just Another Poster?: Chicano Graphic Arts in California
Traveling museum show, multiple venues.
June 2001 - Sept 2003

My works were included in this exhibit of Chicano poster art collected from the late 1960s to the present. Fifty different artists are represented in the exhibition including Rupert Garcia, Gilbert "Magú" Luján, Diane Gamboa, Yreina Cervantez, Richard Duardo, Carlos Almaraz, and many others. The show opened at UCLA's Fowler Museum of Cultural History (June 2001), and traveled to the Oakland Museum of California, the Merced Multicultural Arts Center, the Jersey City Museum, and finally the Crocker Art Museum and La Raza/Galeria Posada in Sacramento California.

We Shall Not Be Moved: Posters, Gentrification and Resistance
UCLA Downtown Labor Center, Los Angeles, California.
October 14th - November 10th, 2002.

My serigraphs were included in this traveling exhibit of posters showing the plight of the homeless and diverse housing issues. Organized by the Los Angeles' Center for the Study of Political Graphics.

The Path of Resistance - group exhibition
Museum of Modern Art, New York City, New York.
Nov. 2000 - Jan. 2001.

Two of my serigraphs were included in this exhibition of contemporary protest art held at New York City's Museum of Modern Art in 2000. The exhibit traced 40 years of socially critical and politically charged art. Organized by Joshua Siegal and Susan Kismaric, The Path of Resistance was itself part of MoMA's "Open Ends," an exhibit cycle marking the millennium that consisted of eleven different exhibits of art from the 1960s to the 1990s.

Center for the Study of Political Graphics (CSPG) receives Vallen Portfolio - 1999
Thirty eight of my posters and drawings are made part of the permanent collection of the CSPG archive. The center collects, preserves, documents and circulates domestic and international political posters promoting social awareness. The CSPG has over 50,000 individual works in its collection and mounts frequent regional, national, and international exhibitions.

Los Angeles: At the Center and on the Edge
Leband Art Gallery at Loyola Marymount University, Los Angeles, California.
July - September 1997

A group exhibition of poster art detailing the unique political history of the City of Los Angeles. Aside from having works in the exhibit, I also gave a slide lecture on Sept 24th that detailed my role as an L.A. artist.

Twenty-Fifth Annual Works on Paper
Southwest Texas State University Art Gallery, San Marcos, Texas.
February 1995

I exhibited artworks at this International Group show of works on paper juried by Lucy Lippard.

Twenty-Forth Annual Works on Paper
Southwest Texas State University Art Gallery, San Marcos, Texas.
February 1994

I exhibited artworks at this International Group show of works on paper juried by Lucy Lippard.

History is a People's Memory
Social and Public Art Resource Center (SPARC), Santa Monica, California.
March 6th - April 17th, 1993

I displayed original works at this group exhibition celebrating the legacy of Malcolm X. Also included in the show were works by Sue Coe and Emory Douglas. Historic posters from the collections of the Center for the Study of Political Graphics (CSPG), and the Alden and Mary Kimbrough Collection were also on display.

Mark Vallen - A Decade of Art Activism
Artsquad Contemporary Fine Art Gallery, Easton, Pennsylvania.
May - June 1993

Solo exhibit of my posters and drawings created over a span of ten years.

International Institute of Social History (IISG) receives Vallen Portfolio - 1993
Some of my selected works are introduced into this important historical archive. The Dutch "International Instituut Voor Sociale Geschiedenis" is an independent organization founded in 1935. Its libraries and archives hold one of the world's most important collections of material from the Labor Movement. The IISG Poster collection comprises over 40,000 pieces, from the 19th Century to the present. The collection is cataloged and many works are available for study and exhibition.

Quincentennial Project on Resistance and Survival - Group Exhibit
Green Dragon Gallery, Santa Barbara, California. Sept. 1992.

UCSB Community Services Center, Santa Barbara, California. October 1992. Group exhibition celebrating the history and culture of Native Americans.

High Performance Magazine for the New Arts - 1992
"The Verdict and the Violence" Special Summer Edition publishes three of my illustrations condemning violence and racial oppression in the aftermath of the April 29th "Rodney King" riots that swept Los Angeles.

Art Commissioned by the Guatemalan Information Center - 1989
The Guatemalan Information Center (GIC) of Los Angeles commissioned me to create a monumental chalk pastel drawing titled "Voices of Justice." The image was published as a full color poster that announced a GIC event held in the Council Chambers of Los Angeles City Hall. The GIC event, a public forum designed to bring attention to the human rights situation in Guatemala, was the first of its kind in the United States.

"Ningun ser Humano es Ilegal" self published street poster - 1988
Self-published a signature work, "Ningun ser Humano es Ilegal" (No Human Being is Illegal), as a widely distributed bilingual street poster bearing the title as its heading.

Works published in: "Frieden Und Umwelt - Politische Plakatkunst Aus Den USA." - 1988
Four of my poster works were included in "Peace and Environment - Political Posters from the USA," an art book of American posters published by the German Institute for International Assistance and Solidarity (IFIAS.) Other artists displayed in the book include, Rupert Garcia, Rene Castro, Lincoln Cushing, and Doug Minkler.

End of the Rainbow - Sisters of Survival
Traveling group exhibit. Multiple venues. February - March 1984

A number of my posters were in this exhibit, which also included entries from artists all across the U.S. and Western Europe. Organized by the L.A. based art/performance group "Sisters of Survival" (S.O.S.), the exhibit opened July 1983 at the Social and Public Art Resource Center (SPARC) in Venice California. The show traveled to the Franklin Furnace Gallery in New York, the Student Union Gallery at the University of Massachusetts at Amherst, the Centre for Art Tapes in Halifax, Nova Scotia, and finally on to the Powerhouse Gallery in Montreal, Canada. Exhibiting artists included Jerry Kearns, Richard Duardo, Nancy Spero, Leon Golub, and Judy Baca.

Slash Magazine Cover Illustration - 1980
I created the cover illustration for the very last issue of the publication, which hit the newsstands in 1980. The work, "Come Back To Haunt You," helped to spawn the Mohawk haircut craze in L.A.

L.A. Weekly publishes Cover Illustration - 1980
My Serigraphic print, "Nuclear War? There goes my Career!" is published as the cover art for the L.A. Weekly. A mawkish parody of Roy Lichtenstein's cartoon based imagery, my artwork addressed the rising fear of nuclear war. At the close of the 20th century, New York's Museum of Modern Art would exhibit this poster in, The Path of Resistance, MoMA's examination of politically charged art from the 1960s to the late 1990s.

L.A. Weekly publishes Cover Illustration - 1980
My Serigraphic print, "Whatever happened to the Future?" is published as the cover art for the L.A. Weekly. The artwork illustrated an article on the sense of hopelessness and malaise then gripping the nation.

Slash Magazine Cover Illustration - 1979
Punk music magazine publishes first Vallen cover Illustration The premiere punk rock publication in the U.S. in the late 1970s was SLASH magazine. My pencil drawing of Sue Tissue, lead singer for the band, Suburban Lawns, was released as a cover for SLASH. The drawing was later published in the book, "Hardcore California."

www.art-for-a-change.com is owned and operated by Mark Vallen ©
Biography